For most of recent history, up until about 60 years ago, the act of creation was just a part of life. Everyone sang or played an instrument or wrote or performed or danced or Something.
But recording technology turned creative output in to a path to fortune and fame. Suddenly, if you weren't exceptional, then why were you trying at all?
This concept is, of course, bullshit.
TV never had a real amateur moment, and filmmaking barely did.
TV came close in 69 with the videofreex, but the FCC made sure that any potential home video might have had for artistic expression would be stiffled by distribution problems.
The video resolution of the 80s unlocked film a little (toxic avenger, El mariachi, an absolute glut of horror films and pornography) but distribution was still limited to single physical copies.
The internet changed that. Even before YouTube there was Wax, or the discovery of television among the bees.
But now we're well in to the Era of Professionals. TV is what other people do. We're left with infotainment and lifestyle vlogging and playing video games.
If a thing is worth doing, it's worth doing badly.
Ridiculue is trickier, but it's cultural. I have done my best to establish a culture free from ridicule at the maker space. People have room to try new things without having to worry that they won't be good at them.
Not everyone plays by this rule, and most of us slip up occasionally. Usually, recognition and apology comes a moment later, trust is important here.
Every one of us has a high quality camera. Most of us are reading and writing on it right now.
Video editing isn't a mystical unknowable art. The software is free (kdenlive) and reasonably easy to use. Basic special effects are possible. Simple editing is easy.
I'm not good at this! I mean, I'm good enough for my purposes, but others are faster, more precise, more purposeful. That's fine! Sloppy editing doesn't render a thing unenjoyable.
@fabian Sure, in a very mst3k way. I addressed this in a previous thread yesterday.
Game streaming isn't something I really understand, I guess. I support those who do it and enjoy it, but I don't get it (and I worry that it is teaching people that they aren't event good enough at their leisure activities, turning them in to consumers rather than participators in even the act of play.)
Yeah, let's put Game streaming aside – I "get it", but I'm also critical of the business-fication of hobbies in general.
But re your comment from yesterday.
> But now we're well in to the Era of Professionals. TV is what other people do. We're left with infotainment and lifestyle vlogging and playing video games.
Is infotainment/vlogging "bad TV"? Not sure I agree with Era of Profs. Sure, to "make it" on YT you need a certain professionality in investment/equip. these days.
@fabian I'm not saying that infotainment and vlogging are bad TV, no. They are largely a new, and entirely independent form of production.
But they're also not narrative television, you know? It's a different kind of thing.
When I talk about the era of profesionalization, I mean that many people who want to make video content assume that narrative work is off limits.
@ajroach42 Ah, sure, true. Didn't think of that. I guess narrative stuff falls into the movie/async/not-live category for me, which is not what I associate with TV primarily anymore. I mean most TV is not live, but given that most in released to online before broadcasted nowadays, TV (for me) is either Live TV or merely a showcase for what's avail. to binge watch somewhere else. But yeah, writing stories is hard and production of those as well, yes.
Yes, youtube and various streaming services have done a good job supplementing or supplanting the Talk Show format.
And many youtubers manage to produce something as good as or better than what passes for good enough on actual TV.
It's just in the narrative space, mostly, that there is such a big gap.
@ajroach42 @fabian Animation seems to have some successful amateur productions, but not enough. Not sure how much of Newgrounds animation counts as narrative.
It's also not nearly as decentralized as podcasts, all animators seem to be chained to at least one big video sharing platform.
(Also I love Helluva Boss but I don't think it counts here, since it's very much not an amateur production)
@ajroach42 @fabian I found out about the creator when she started a TERF-friendly fedi instance, so I've been a bit cagey about seeking out her art. I've peeked into Seder-Masochism but it didn't really appeal to me, I think the voice acting was what put me off.
Maybe I should still watch them out of scholarly duty...
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